![]() 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port.Factory switch: when off, the front panel is live what you see is what you hear.Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes.Low-split mode creates two independent performance zones with different octave ranges.Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls.Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch.Polyphonic step sequencer with up to 64 steps with ties and rests.Up, down, up+down, random, assign modes.Aftertouch freely assignable to multiple modulation destinations.Source: channel (mono) aftertouch with bi-polar amount.Recreates the characteristics of vintage synthesizers by introducing micro-fluctuations in oscillators, filter, and envelopes per voice.One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter.One dedicated reverb with damping, pre-delay, decay and tone.Freely assignable to multiple modulation destinations.Clock sync (internal or external MIDI clock).Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold).Envelopes freely assignable to multiple modulation destinations.Velocity modulation of each envelope amount.Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, gate).Filter can be driven into self-oscillation with the Resonance control.Four-pole, resonant, analog low-pass filter per voice, based on Prophet 5 Rev 4 design.Keyboard tracking on/off for each oscillator.Square wave sub-octave generator (oscillator 1) per voice.Hard sync: oscillator 1 syncs to oscillator 2.Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator. ![]() A 64-step polyphonic sequencer and multimode arpeggiator complete the picture. ![]() The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice LFO), ADSR+delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities. For still more warmth, a Vintage knob adds micro variations to oscillator, filter, and envelope behavior from voice to voice. The Prophet-5-lineage 4-pole analog filter shapes the sound of the oscillators and sub oscillator in classic fashion while a Drive control provides additional punch. Two voltage-controlled oscillators provide traditional sine, saw, and pulse waves with waveshaping, while simple analog FM adds harmonically complex, bell-like FM timbres at need. This versatility comes from the Take 5?s sound engine. It was a joy to work on and I?m looking forward to hearing what our customers create with it.? Throughout development we were amazed by how huge this synth sounds and how crazy versatile it is. ?Packing this much performance power into such a small footprint was the kind of challenge we love. ?The Take 5 puts the classic Sequential sound and legacy into the hands of people who may not have been able to experience it before,? said Dave Smith, Sequential founder and lead product designer. Dual Digital effects and a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM ensure the Take 5 can cover a wide range of sonic territory, from vintage to modern. ![]() Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. Compact and portable five-voice VCO/VCF-based poly synth designed with both synth newcomers and space-conscious pros in mindĪ full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed.
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